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Next Level Racing Floor Mat Gaming-Matte
47,97 € *
ggf. zzgl. Versand

Titel: Next Level Racing Floor Mat Gaming-MatteTitelzusatz: Gaming-Matte in Schwarz fuers Zocken oder die Arbeit, mit Stoff-Oberflaeche & rutschfester Unterseite - 1650 x 600 mmHersteller: Next Level RacingRubrik: Zubehoer // RennsitzeGewicht: 2000 gr V

Anbieter: RAKUTEN
Stand: 01.08.2019
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Next Level Racing Floor Mat Gaming-Matte
47,97 € *
ggf. zzgl. Versand

Titel: Next Level Racing Floor Mat Gaming-MatteTitelzusatz: Gaming-Matte in Schwarz fuers Zocken oder die Arbeit, mit Stoff-Oberflaeche & rutschfester Unterseite - 1650 x 600 mmHersteller: Next Level RacingRubrik: Zubehoer // RennsitzeGewicht: 2000 gr V

Anbieter: RAKUTEN
Stand: 31.07.2019
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Jeff Woolsey - My Last Night In Town (CD)
17,95 €
Sale
14,95 € *
zzgl. 3,99 € Versand

(2013/ShuffleOne) 14 tracks (36:44) Traditional Country Dancehall Music - Highlight!***** - Jeff Woolsey was raised on traditional country music in the honkytonks, on the North side of Houston, Texas. He spent many Saturday nights listening to his step-dad’s band play all the great songs from Ray Price, Johnny Bush, George Jones, Mel Tillis, Faron Young and the many other great country music artists from the ‘50’s,‘60’s and ‘70’s. Jeff would sit on the side of the stage and watch as all of the dancers would pass by him and when one song was over…they would stand in the middle of the dance floor waiting for the next tune. Jeff sang his first song when he was four years old….Charley Pride’s, ´´Is Anybody Goin’ To San Antone”. From that moment on…he was hooked on singing and hooked on country music. He couldn’t wait until the next Saturday night when he could do it all over again.

Anbieter: Bear Family Recor...
Stand: 25.04.2019
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Max Greger´s Dance Orchester - Strict Tempo Dan...
9,95 € *
zzgl. 3,99 € Versand

(1963/Polydor) Original 4track EP 21 621 EPH​ STRICT TEMPO DANCING Side A: IF I LOVED YOU (Rodgers) TWO IN A BIG CITY (Kollo) (Zwei in einer grossen Stadt) Side B: STRANGER ON THE SHORE (Bilk) LOVE IS HERE TO STAY (Gershwin) MAX GREGER´S DANCE ORCHESTRA SLOW FOXTROT The Slow Foxtrot is not only the most beautiful of all ballroom dances with its gliding, elegant steps, but also the most difficult to dance. In order to perform it properly it is necessary to have a lot of room on the dance floor — something that is hard to come by in these days of crowded ballrooms. The stance for the Slow Foxtrot is — as in the other so-called ´´English´´ dances, the Waltz and the Quickstep — erect with the shoulders completely relaxed. The main characteristic of Slow Foxtrot music is the fluidity that ´´carries´´ the dancers so that their steps flow effortlessly and one figure merges into the next without any rough edges. SLOW FOXTROT This Long Play Microgroove Record can be played only on 45 RPM instruments with a cartridge with microsaphire which puts a pressure of about 8-10 grammes on the record or with a special stereo cartridge of 5-6 grammes. — Printed in Germany —

Anbieter: Bear Family Recor...
Stand: 07.06.2019
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Elvis Presley - Charro! (Book&CD)
49,95 €
Rabatt
39,96 € *
zzgl. 3,99 € Versand

(2006/JAT) 23x26 cm, color & b/w, 112 Seiten, Fotobuch (Broschur) auf hochwertigem Papier inkl. CD mit Radio Jingles und Interviews zum Film. Enthält Fotos der aus dem Film gestrichenen, damals nicht jugendfreien Szenen. Mittlerweile sehr seltenes Elvis Presley Sammlerstück! Neuware (Bear Family Records) The Making of CHARRO! and Selected Interviews By Bill Bram Filming for Charro! commenced on July 22 and was completed on August 28, 1968. Exteriors were shot at the Apacheland Movie Ranch1 in Apache Junction, AZ. Interior sequences, such as the sheriff´s office, the saloon and bedroom scenes, were filmed at what was then known as United Artists Studios.2 This was the third and last film Elvis would do at this Hollywood studio. The other two films he shot here were: Kid Galahad and Frankie and Johnny. While in Arizona the cast and crew stayed at the Superstition Inn. Elvis, his father Vemon, and the rest of his cronies stayed on the second floor. Colonel Parker, stayed in the hotel as well - at least for part of the filming. The director and writer, Charles Marquis Warren, watched dailies at the hotel, probably in one of the convention halls. Fans would hang out at the hotel in hopes of getting a glimpse of Elvis. Towards the end of location work, Elvis held an impromptu concert in the hotel bar for the movie company. He reportedly sang for well over an hour. In addition, when filming wrapped at the studio, a wrap party was held - and again Elvis performed, probably on one of the sets for the film. Charles Marquis Warren thought, after he had first heard Elvis sing in the fifties, that ´´he was a negro . . . the bits and pieces I heard him sing, he sounded like one.´´ When National General, the movie company that financed the picture, told Warren that Elvis had read his script, liked it and wanted to play the lead role, Warren was aghast. The people at National General urged Warren to, ´´Just meet him, maybe you´ll change your mind.´´ They were right. Elvis and Warren met, for the first time, at a restaurant next to United Artists Studios called The Formosa. To quote Warren, ´´I liked him a lot . . . we didn´t fall in love. He wanted to hear what I had to say. I wanted to hear what he had to say.´´ After lunch Warren took Elvis to Western Costume Company to try on some cowboy clothes. Warren picked out ´´a bunch of crummy clothes . . . a worn out shirt and pants, scuffed boots and a beaten up hat.´´ Elvis looked in the four way mirror and said in his typical modest way, ´´I like it, it it´s all right with you.´´ Warren thought Elvis looked great. Warren decided to put a beard on Elvis, to make him look more like a tough Western hero, but Elvis´s new look didn´t quite work; to quote Warren, ´´he looked like Jesus Christ.´´...

Anbieter: Bear Family Recor...
Stand: 07.08.2019
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